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ScriptFEST 2009 the 28th Annual Playwrights’ Conference January 22, 23 & 24 (2010) at the Owen Theater / Mars Hill College Friday, JAN 22 THE ICE CREAM KING by Rosemary Frisino Toohey The hero in this full-length comedy is Lenny, the original nice guy. He runs an ice-cream shop in an old downtown neighborhood and in the eyes of some people, his biggest accomplishment at the age of 33 is concocting butterscotch sundaes. His sister thinks it's time he got a "real" job, his best friend wants him to be more of a "player" with women, his mom suggests that he move in with her and his grandmother, and the pizzeria-owner next door says he's got to persuade the landlord not to tear down their buildings and put up condos. Lenny is struggling to respond to this list of demands when a tearful young woman enters his store. Over a shared tunafish sandwich, a bond is formed, a transformation occurs, and we learn that nice guys don't always finish last. Saturday, JAN 23 THE SPRING CLEANING by Elizabeth Orndorff It is the first day of spring in 1932 when Addie Malcolm sets out to clean her cabin in the mountain coalfields of Kentucky. Before the day is over her world of poverty and loss is devastated even further when she finds a $50 gold piece in her husband Joseph’s “chester drawers”. How did he come by it? Why didn’t he spend it during the last thirty-odd years—especially when their son was dying and their daughter, Tressa, deserted them. But Joseph has his own story, his own reasons, for dealing with his meager life. When Tressa returns home against her father’s wishes, the truth for all of them emerges—what would any of them –any of us—do if we were pushed beyond the limits of survival? MOTHER BEAR by Jayme McGhan Freely, a salt man for the Teamsters, has come to Coyote Pass Truck Stop in Green River, Utah in the guise of a long-haul trucker. His goal: to recruit Mother, the most feared and respected man on the road, along with his Disciples, a gang of notorious thugs who are suspected of hijacking trucks, to join the union and strengthen the trucking industry. As the wheels spin and true identities and motivations are revealed, Freely must do battle to win the allegiance of a man who appears to have no allegiances. But appearances are deceiving. Mother Bear is a hard-hitting, plot-twisting glimpse in to the underbelly of America's highways. FRESH PRESERVES by Tom Godleski SOUTHERN APPALACHIAN HERITAGE STORIES Sunday, JAN 24 PRUNING THE FAMILY TREE by Daniel Gordon After a ten year absence, Christy Ferguson returns to the home of her mother's family for the funeral of her grandfather, Joe. As Christy’s mother, Ellen, her aunt, Barb, and her grandmother, Marilyn, write Joe's eulogy, Christy realizes there are episodes from her family‘s history that had not been revealed to her as a child. After several mishaps, including the repossession of Marilyn’s car and Barb's attempted suicide, Christy and Ellen discover that, right before he died, Joe remortgaged the house, bought a fishing boat, and was planning to abandon Marilyn, leaving her deep in debt. Once separated by distance and age these four women develop a deeper understanding and respect for each other as their perceived truths make way for actual truths. THE MARKHAM MYSTERY by Jo Morello Kerrie and Phil Markham’s 25-year marriage is rocked by death threats from Carla, his schizophrenic daughter, who hears voices telling her to kill her stepmother and stepbrother. Phil has hesitated to call the sheriff, but now Kerrie is missing. While never doubting that Carla hears voices, Sheriff Reba Andrews and Deputy Joe Roma wonder whether a real person--not some hallucination--is giving her the commands to kill. They use high and low technology as they seek to head off her murderous mission.
SART's Playwrights' Conference receives around 200 scripts each year and a small army of readers/reviewers circulate each submitted script. Once all scripts have been reviewed, SART invites five-six finalists to the conference to hear their plays read by SART actors. Playwrights join the directors, actors, and audiences in discussions and critiques following each reading. One script may be considered by SART to be fully-produced on the Owen stage for a full-length production during the 29th Annual ScriptFEST (October 2010).
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